Our Lively Kingdom
by Julia Lisella
ISBN 978-1-59954-189-1
VIA Folios 158
‘Our Lively Kingdom timestamps the beauty and strangeness of the United States—from poetry to parenting, from marriage to mortality. Strong women ancestors guide these poems that tackle aging, the lynchings of Italian Americans, and what the natural world can teach us flawed humans. It is a wise and emotionally complex collection, one that offers future generations a glimpse of life at this time.
—Yona Harvey
Ever wonder what we’d have if Sylvia Plath had survived the urgencies and limits of youth and her own time? With honesty and elegance, Julia Lisella surveys home life, hot flashes, and the lattice of care that extends from a mother to grown children, to a failing parent, to students, to a longtime husband, and to strangers in the news. Mature in the best sense, this collection is crafted to last, yet flares with compassion and surprising insight.
—Julia Spicher Kasdorf
"In taut lyrics that counterpoint the agonizing decline and loss of parents, with vivid details of the everyday, St. Francis's stigmata of the mystical and ecstatic somehow comfortably integrate with parables of the stigmatized. As Lisella deftly engages what's beyond easy reckoning, there are also echoes of Mina Loy and H.D. here, and Blake chides us for our 'overgrownness' and our greed. Hers is a tangible inheritance too, populated by the 'black-wooled adults' of an ethnic past, full of haunting, grief, and devotion, above all."
—Peter Covino
"Honesty and mystery coexist in the poems of Always. Lisella uses the resources of poetry to access a moving generosity, as powerfully felt rhythms and keen, courageous self-observation carry human experience to a place that is at once wilder and more encompassing than the ordinary."
—Annie Finch
"Always-a concept, Julia Lisella says, we can't understand, and yet have a word for. Such conundrums fill these lovely and lucid poems. It's not easy to make complex riddles clear, but that is what these poems do, exploring the tension between 'dust and devotion,' body and spirit, or in her ongoing dialogue with St. Francis, that dual attraction of denial and embrace. 'Make something beautiful,' this poet thinks in one poem, and she certainly does-not the cold beauty of the finished, the resolved, but the rich and deep beauty of the journey, the struggle itself."
—Betsy Sholl
Terrain
by Julia Lisella
ISBN 978-1933456751
"'We go like soldiers to the ordeal/of happiness,' Julia Lisella writes in her brilliant new book Terrain. Lisella explores intimacy, but there's no predictable domesticity in her vision. Though the poems are crystalline, the work opens outward, into complexity, the contingency of history, and a beautifully tempered wildness. These poems are deeply felt, deeply imagined, and burnished by a dazzling poetic integrity."
—D. Nurkse
"Julia Lisella's poems go to that deepest place in us--the place where we confront ourselves as parents, as children, as spouses--as thinking and feeling beings in relation with others. The poems consider life with neither sentiment nor terror, but rather with a calm and intent reflectiveness. Her clear-eyed and moving meditations on the complexities of love and of identity acknowledge 'that there's a clangy, demonstrable unholiness/to everything we long for.'"
—Cammy Thomas
For Your University Library:
Modernist Women Writers and American Social Engagement
Edited by Jody Cardinal; Deirdre E. Egan-Ryan and Julia Lisella
ISBN 978-1-4985-8290-2
Modernist Women Writers and American Social Engagement explores the role of social and political engagement by women writers in the development of American modernism. Examining a diverse array of genres by both canonical modernists and underrepresented writers, this collection uncovers an obscured strain of modernist activism. Each chapter provides a detailed cultural and literary analysis, revealing the ways in which modernists’ politically and socially engaged interventions shaped their writing. Considering issues such as working class women’s advocacy, educational reform, political radicalism, and the global implications for American literary production, this book examines the complexity of the relationship between creating art and fostering social change. Ultimately, this collection redefines the parameters of modernism while also broadening the conception of social engagement to include both readily acknowledged social movements as well as less recognizable forms of advocacy for social change.
[T]o see a full-length book about American modernist women writers continues to surprise and excite, even in the 21st century. No matter how far women authors have come in English literary studies, an anthology focused on women modernists is a cause for celebration. . . . Editors Jody Cardinal, Deirdre E. Egan-Ryan, and Julia Lisella do an impressive job of contextualizing the sections of their book Modernist Women Writers and American Social Engagement in an indispensable introduction. . . . To end, I want to return to the editors’ three major objectives for this collection: the recovery of American women writers, the further study of American women writers, and connecting American women’s modernist literature with cultural studies. In light of these goals and of the remarkable and stimulating work they have commissioned to meet them, this reviewer congratulates them on an admirable success.
— IdeAs: Idées d'Amériques
This wide-ranging and fascinating collection of essays represents a significant intervention into the study of modernist writing by women, as it was enrolled in the social and political structures of modernity. This volume will appeal to scholars working across American modernist literature and culture; the history of women’s writing; and the history of social engagement and political activism.
— Alix Beeston, Cardiff University
This book fills in important missing contexts surrounding modernist writing. In a series of absorbing essays, the authors treat an array of modernist writers, from the canonical to the middlebrow to the little known, bringing to the fore the myriad social and political commitments animating their work.
— Maren Tova Linett, Purdue University
This book is a welcome addition to the scholarship on gender in modernism/modernity. The editors and contributors capably relate their work to previous study, expanding on its social concerns, genres, terminology, and the diversity of its canon. The collection contains little-known examples of authors’ activism and encourages comparison of diverse arenas and expressions of social engagement.
— Bonnie Kime Scott, professor emerita, San Diego State University and the University of Delaware
Love Song Hiroshima
by Julia Lisella
ISBN 978-1-93275-563-3
A chapbook of poems that captures the coming of age experiences of a second generation Italian American girl in Queens in the 1970s. This is the poet’s first collection of poems. She is also the author of Terrain (2007) and Always (2014).
"Julia Lisella's Love Song Hiroshima is a chapbook with full-length power, richly satisfying, cinematic in detail, lyric in rhythms....Here is a vivacious, wise mind at work, a memorable gift to the reader."
—Charlotte Mandel
"What is the language of silence? How does the past inscribe itself into our lives? What is the emotional dialect of the family we come from? What have we learned of the inflections of pain, endurance, and love? These are the radiant energies and complexities out of which Julia Lisella has written Love Song Hiroshima. Her poems... register shiftings in our deepest being, where the meanings are..."
—Fred Marchant
"Julia Lisella's vividly detailed poems beautifully capture the complex mysteries of a girlhood spent on the hyphen between 'Italian' and 'American.' Those of us who have lived the experience she records in 'Song of the Third Generation' will recognize with special poignancy the truth of her claim that 'Somewhere in the old country/we breathed text/without knowing how to read,' but her book will also speak to all who want to understand the distinctively twentieth-century journeys, joys, and pains she explores."
—Sandra M. Gilbert